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Post by mahoney on Dec 15, 2023 16:19:42 GMT
20: Witch - Zango
Zamrock royalty return with their first album since 1984 (well, I think 2 original members) backed by some young French musicians & the results are so much better than anyone could have hoped for. This thing in places is FUNKY, a perfect mix of psych, acid rock & big funky bass lines. Excellent production on here too. Did I mention, I've played cowbell for them live? Should have got me in for the record TBH 19: Ja'king the Divine - Parables of the SowerI didn't hear or gravitate towards a lot of hip hop this year, though this was a great discovery. Ja'king the Divine is a NY rapper, very old school in approach without sounding like an exercise in nostalgia. Nice flow, not only from the mic but how the 12 tunes move around & never feel stale. Cool record, will keep an eye out for what he does next. 18: Greg Foat & Art Themen - Off-Piste Greg Foat was a busy man in 2023 with 4 different collaboration records. This effort with art Themen was the pick of the bunch. Very lounge & exotic sounding, could be a library record from the 70s, some fantastic electric keys, cool bass lines. Very soothing, a record I've enjoyed just kicking back to and letting it wash over me. The artwork is a kinda perfect representation of the sounds on the record. 17: Aindulmedir - Star LoreDiscovered Aindulmedir's music this year, a Swedish ambient artist. The genre's tagged on RYM for this LP sound completely wanky, but fit the music perfectly... "Winter Synth" & "Space Ambient". Feels like the soundtrack to the most depressing sci-fi film of all-time. You just feel pure isolation, it's such a cold & lonely sounding record. One I've mostly listened to whilst drifting off to sleep. It's such a hypnotic & atmospheric piece of work. Also, unlike the Kali Malone record, this is only 47 minutes long so (for me at least) this is the perfect length to keep my interest for this kinda music. 16: The Go! Team - Get Up Sequences Part Two I think I've said with the previous two Go! Team records that it was "their best since Proof of Youth!", well Get Up Sequences Part Two is their best since Proof of Youth! What can I say? It sounds like The Go! Team, they never really change & at the same time nobody has ever really sounded like them so why should they? For me they're like the musical version of Quinten Tarantino, taking from obvious places as well as pinching from the most obscure oddities & then melting it all into a pot that is uniquely theirs. It has been nice seeing this record & tour do so well for them. For a few years ago it felt as if nobody really cared anymore, but it feels like there has been a rejuvenated interest in them in recent years. Also the Roundhouse already sold out for next year to celebrate the 20th anniversary of their debut, beautiful to still have them around. God bless the Go! Team, still on top of their game & making me dance terribly 20 years later. 15: Baxter Dury - I Thought I Was Better Than You Baxter continues his run of 4 star killer records (that's 5 on the spin now for my money). Business as usual, lots of humorous lyrics and annoyingly catchy choruses, though he's attempted a more ambitious pallet musically here. Shame the thing's only 27 minutes, some genres I praise for getting in & out quickly but I can't help but feel a bit short-changed by Baxter, lazy sod. 14: The Toads - In the WildernessAustralian post-punk band on Upset the Rhythm. The opening track "Nationalsville" is the greatest song the Fall never recorded. I was hoping the entire album would be this kinda Fall worship, but they mix things up, and when I say they mix things up I mean they have songs that sound like Magazine too. All killer, no filler, done in under half an hour. Glorious stuff. 13: Gaz Coombes - Turn the Car AroundGaz Coombes delivering the goods once again. I think this is a small step backwards from World's Strongest Man in terms of quality but still, his writing chops are fully on display throughout. His usual blend of neo-psych, glam, art-rock with tender moments thrown in. I don't drive, but I'd imagine a tune like "Don't Say It's Over" would sound epic behind the wheel. Shout out to "Long Live the Strange", one of the tunes of the year. Gaz has reached the point where he deserves to be known simply as Gaz Coombes & not "Gaz Coombes of Supergrass". Kinda makes me think why bother doing another Supergrass LP at this point? The cash cow is always there when they wanna do some festival shows. I'll be more than happy if he can churn out records of this quality every two or three years. Also shout out to the production on this thing, it sounds wonderful. 12: Nat Birchall - The InfiniteAn artist who's name I'd heard Gilles Peterson mention before but had never checked out. Nat plays absolutely everything on the record & like the previously mentioned Organic Pulse Ensemble record, doesn't feel like a one man project at all. Birchall doesn't reinvent the wheel, he's doing that classic Spiritual Jazz sound [Coltrane/Sanders/Cherry] so he doesn't score any points for originality but bloody hell, he does it so well. A beautiful record which I've not listened to enough as unfortunately (& annoyingly) it isn't on Spotify, so I've been listening through bandcamp. 11: Genesis Owusu - StrugglerSmiling With No Teeth I think was in my top 10 of 2021. Since then I've learnt to love it even more + Genesis performed by favourite gig of last year. So stakes were insanely high for "Struggler". On first listen I was disappointed, it has a much more commercial sheen than his debut which caught me by surprise. With time Struggler has grown on me, yeah it's a safer & more obvious sound but fuck me are there some total bangers on here. Also revisiting the record after seeing him perform this material live last month has elevated this record even higher in my estimation. I huge melting pot of genres, it's funky, it's PRINCE, it's danceable, it's hip hop & it's even a bit post-punk in places. Owusu is a hell of a talent & I'm surprised he hasn't already reached superstar status.
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Post by mahoney on Dec 15, 2023 16:38:53 GMT
10: Squid - O MonolithSquid continue their progression as a band. The follow up isn't as accessible as their debut, but I really like the direction they've taken things. It's a rewarding LP that feels like a complete piece rather than just a collection of tunes. Uncommon time signatures, kinda dense, nods to krautrock.. I'm completely down with the way the band are heading & excited to hear whatever comes next. 09: Famous Mammals - Instant Pop Expressionism Now!Brilliant discovery that I think I stumbled across on RateYourMusic. Californian band Famous Mammals do the kinda post-punk that sounds like its come out of Britain in the late 70s, think The Fall or Wire. But also when Parquet Courts were a lot more ramshackle and garage sounding. I also like the weird experimental noisy tunes that help give the record variety. 18 songs but it's all kinda snappy & moves on from one idea to the next quickly whilst containing some real bangers. The Lo-fi production really suits the bands style too. Love this record. 08: The Rolling Stones - Hackney DiamondsWho'd have fucking thought it? Certainly not me. I was of the opinion (like almost everybody else) that nobody wants or needs a new Stones record in 2023. Anything I'd heard post Some Girls ranged from forgettable to useless. Then Hackney Diamonds comes along. 80% of the record sounding like they could be singles. The frickin' KEEF song hitting me with a real sense of melancholy, the bluesy numbers giving variety to the record then the crazy shit like Lady Gaga turning up. They had no right to make an album this good, and they fucking did it. It has led me down a rabbit hole of the Stones & I've learnt to appreciate some of the later career records. God bless them, if this is goodbye then what a send off (pretty sure we're getting a follow up next year though). It's just a fucking joy to hear the Stones doing their thing in 2023. I could have never have predicted this & I am PROUD & HONOURED to have contributed to the Rolling Stones inevitable Soapbox Album of the Year #1 spot. You deserve it lads. 07: Bill Orcutt - Jump on ItOne man and his acoustic (& some heavy breathing in the quiet spots). It's extremely technical in terms of playing, yet sounds so effortless & melodic. Glad I got to see Bill perform this year, watching his unique technique really helped appreciate what he does even moreso. Found myself gravitating to music that I can just relax & allow it to paint pictures in my mind a lot more recently & Bill's music is just so evocative. 06: Tee Vee Repairmann - What's on TV Insanely addictive garage-punk from Sydney, Australia. Hooks to die for, fast & furious & all over in 24 minutes. Pure Joy. Hope they come to the UK someday. This music is just a pure adrenaline sugar rush. Can't really say much more other than if you can't enjoy this then you're DEAD to me. 05: Sparklehorse - Bird Machine When it was announced I was curious, but had little hope that this would actually be any good. I was expecting some unfinished tunes, mostly acoustic & in my mind it was going to be quite downbeat & sombre sounding. That couldn't be further from the truth, this thing is bursting with energy & LIFE, Linkous lives.. at least whilst you listen to these recordings. Respect to those that helped finish off these songs, tastefully & faithfully done. Bird Machine can sit comfortably next to anything in the Sparklehorse discography. What an unexpected joy, a beautiful belated goodbye from Mark Linkous. 04: ANOHNI and the Johnsons - My Back Was a Bridge for You to Cross This is the one record that has been universally praised by the critics this year that I feel is fully deserving of the accolade. ANOHNI's never sounded more soulful, not only vocally, but the arrangements of these songs despite veering into art-rock & chamber pop just feel pure soul to me. I even get some Stanley road vibes from it in places. Beautiful record which I thought was pretty damn good upon release but has just sounded better and better throughout the year. It's a classic that can sit comfortably next to I Am a Bird Now & without a doubt one of the best releases of 2023. .......................................... Top 3 time. These were the only 3 ever in the running for the #1 spot, TBH on any given day I could have gone with any of these, really depends what mood I'm in ........................................ 03: Sprain - The Lamb as Effigy This record lasts 96 minutes, containing two songs that almost hit the 25 minute mark & it feels every god damn minute of its length. Yet when I first heard this I was completely captivated. It's relentlessly uncompromising, challenging & is all the better for being so. The first time I heard this I was convinced I'd heard something special. It falls somewhere between post-punk, experimental rock & noise-rock, but there's a lot more going on, moments of drone to classical. I do love the singers voice even if it's more of a disturbed anxious whine. After discovering it I listened to it a lot over the course of a few weeks & slowly but surely I just couldn't take it any longer It's a bloody hard listen & if you're not in the right frame of mind it can easily feel like a chore. Still I was pretty pumped about this record & then the singer started making these overly dramatic cringe posts on instagram regarding each song & then he broke the band up not long after sounding like he was going to kill himself Not gonna lie, he sounds like a right bellend & it put me off listening for a good few months. So after taking an extended from the record I really wasn't sure how I'd feel about it now, let alone where it'd rank on an end of year list. Returning now I'm reminded why I loved it so much in the first place & it's revealing itself in ways I hadn't cottoned onto originally. Yeah you can find obvious influences in the likes of Swans & Sonic Youth, but the way this is packaged together (at least to me) feels completely unique. I don't think it'll ever be a record I return to on a regular basis, but one of those that in the rare occasion that I surrender myself to it I'll be reminded what a special piece of work it is. 02: Joanna Sternberg - I've Got Me Fell for this record in a big way upon first listen. Its just fantastic song-writing, very classic sounding tunes like something from the 70's but also twee in a Mouldy Peaches kinda way. The frankness & simplicity of the lyrics also reminds me in a big way of Daniel Johnston. In an era where people always aim for the abstract when it comes to lyrical content there's something just so beautiful yet bittersweet and pure about the honesty of Sternberg's words. This has become a Sunday Morning hangover kinda record for me. Adore this record, I wouldn't be surprised if this becomes the one record from 2023 that I'm still playing on a regular basis 20 years from now. 01: Erik Hall - Canto OstinatoI've dabbed into minimalism over the past couple of years. Like almost everyone I started with Steve Reich's Music for 18 Musicians which fucking floored me. Well, I've had the same kinda experience from Erik Hall's take on Canto Ostinato. Originally written to be performed by 4 piano's in the late 70's by Simeon ten Holt, here Erik Hall uses does it all by himself using multitracked grand pianos, an electric piano and an organ. It's an hour long continuous/repetitive piece that slowly evolves as the time signatures fall out of place. Must have been painstakingly hard to record this but it never feels like a multitrack piece, it just feels so alive and each time you feel like you know what's coming the time signatures move on & help float along to the next piece of the puzzle. One of the most rewarding listens I've had all year, something I just put on & completely get hypnotised by & the hour running time just zips by.
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Post by jp on Dec 15, 2023 17:00:11 GMT
I'm calling this real early. I predict a Stones/Coombes/Blur soapy top 3.
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Post by mahoney on Dec 15, 2023 17:00:56 GMT
A number 4 and 8 ranking for the Stones puts Hackney Diamonds at the top of the leaderboard.
I doubt they’ll look back. It’s a one horse race, Fuzzy, hand out the Eddie Murphy statue now so mick and Keef can feel it before it’s too late
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Post by Fuzzy Dunlop on Dec 15, 2023 17:10:29 GMT
The prize for Soapy album of the year is a statue of Eddie? Am I handing it out due to the lack of a glamorous (or indeed any) woman and so the role of forum eye candy has fallen to me by default?
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Post by mahoney on Dec 15, 2023 17:18:26 GMT
As head of our social media marketing team I feel it's something you should be dealing with to get us hits with the tick tockers.
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Post by mahoney on Dec 15, 2023 17:36:01 GMT
Fav EP's
01: Alice Low - Transatlantic Sugar Contender for my favourite release of the year. A quirky melancholic mixture of progressive pop & GLAM-rock. Reminds me of when Foxygen were good or before Ariel Pink turned into a cunt.
02: Lifeguard - Dressed in Trenches Noise rock, very 90's, very sonic youth. No surprise as one of the members is a brother of a member of Horsegirl. Yet I believe this band are even younger. Excited to hear a full length by them
03: Children of the Pope - Committed to Cynicism 4 Garage-rock bangers in 13 minutes. Reminds me of classic Black Lips. Just great fun. Just a shame new material in their live sets has started to sound a bit RAWK, they were onto a winner with the sound on this EP
04: Tapir! - Act 2 (Their God) their second EP, their debut is being released as these mini EP's that tell a story. There will be some major soapbox end of year controversy next year when me & Kevin include what I guess technically will be a compilation in our lists next year. Not quite as strong as the 1st EP, though includes their best song. Excited for part 3 & hearing it as a album.
05: Itchy and the Nits - Itchy and the Nits Insanely catchy 3 piece garage-rock band from Sydney, Australia. Their EP has 7 songs and is over in less than 10 minutes. It's so immediate, it feels like they just plugged in bashed these wonderful nuggets out. so much fun
06: Cowboyy - Epic the Movie An odd band I've seen a couple of times this year. They have a Black Midi/math rock thing going on but you can tell the members are pulling from different directions from Shoegaze to post punk to metal. Live I still don't know what to make of them but man, this EP really caught me by surprise.
A big part of my listening has been garage-rock this year. There's too many release to mention but needless to say I've found so much gold this year. Here's 90 mins of my favourite garage tunes from the year.
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Post by mahoney on Dec 15, 2023 17:43:01 GMT
Disappointments:
Slowdive: Cannot get into it at all, just sounds so lifeless to my ears
Janelle Monae: At this point everything that made her so exciting has gone out the window & replaced with the most obvious & painfully boring music imaginable. Wouldn't surprise me if it turns out this was made with AI
The Coral: Well, sea of mirrors, I didn't even bother with the other one. I doubt I'll bother with this band anymore, happy to just remember when they were weird & wonderful.
Egyptian Blue: Hell of a live band, on record, totally forgettable
The Streets: I wanted to believe, wish I hadn't bothered.
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Post by mahoney on Dec 15, 2023 17:56:19 GMT
Old shit I've discovered:
Been a poor year for me regarding this. I've kinda just gone down rabbit holes listening obsessively to artists I've loved for years, which of course isn't a bad thing. But I do want to start finding some unheard (to my ears) gems again in 2024. Still found some time for some gold though, just not as much as I'd like.
Karen Dalton - In My Own Time (1971) Where the fuck has this record been all my life? It's just bloody beautiful. What an absolutely incredible voice. A perfect sunday morning record. Could go onto be an all-time favourite as I don't think I'm going to tire of it anytime soon
Manuel Göttsching - E2-E4 (1984) I waited until he DIED before deciding to listen to Gottsching. Progressive electronic music, very minimalistic, something to get absorbed by.
De La Soul - Buhloone Mindstate (1993) Shamefully had never heard this. Might be my favourite record of theirs tbh
Terry Riley - A Rainbow in Curved Air (1969) most unsexy album cover ever. But man, this is minimalism at its finest. I've reached the point in my listening where I have on-the-go music where I like upbeat, garage/post punk. Then at home I like to be consumed by something that perhaps doesn't follow obvious song structures. This record has got it all, ambient, drone, a bit of psych. Wonderful
Kraftwerk - Die Mensch-Maschine (1978) I'd heard this before but this record really landed for me in 2023.
I also had a big blues phase earlier in the year. Not really an album kinda genre but shout out to The Complete Willie Johnson. Sensational & essential. Also "Lead Belly: The Smithsonian Folkways Collection", music at its purest form.
Billy Harper - Black Saint (1975) Incredible spiritual jazz record despite the bland artwork. I need to spend more time with this one actually
Then I really got into the classic era of Faust. Incredible seeing them (or what's left of them) do their thing. Shout out to "IV" which rightly is their masterpiece. But also to Outside the Dream Syndicate which is Faust with Tony Conrad, a full on Drone LP made up of two pieces. This really moved me.
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Post by barny on Dec 15, 2023 18:24:28 GMT
Janes Addiction song might be the best from the record tbh
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Post by mahoney on Dec 15, 2023 18:29:32 GMT
He sounds very, very annoying when he says "Jet-Pack Man"
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Post by Bigred3 on Dec 15, 2023 19:04:09 GMT
I have honestly come to the realization that I haven't listened to many new albums this year. A lot of the stuff I thought came out in 2023 actually was 2022 lol.
So I will give you my favorite album & single of the year.
DRUMROLL PLEASE
SOTY; Don't Fade Away - Beach Fossils
AOTY; Bunny - Beach Fossils
Nothing has hit me harder than this album. I think it's exactly what I wanted/needed in life. Fuzzy/poppy/shoegazey - The whole thing is just a fucking banger. One of those albums that you can just play through and not have to worry about changing the song.
Honestly, I find it harder each year to devote time to new music. Probably so much stuff I miss but I always seem to come back to my trusted bands/artists in the hopes that they deliver.
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Post by jp on Dec 15, 2023 19:15:27 GMT
Top 10 Musical Disappointments of 2023
1, The PJ Harvey album 2, The Strokes @ All Points East 3, Arctic Monkeys @ Carrow Road 4, The state of Simon Fowler last night 5, That BCNR live album. They suck without Isaac 6, The Janelle Monae album 7, The Steve Mason album 8, The Grian Chatten album 9, The Streets album 10, The Coral album
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Post by srk on Dec 15, 2023 19:29:48 GMT
Top 15 albums of 2023
15) The Paul Langlois band - guess what 14) lankum - false lankum 13) Ron sexsmith - the Vivian line 12) odds - crash the Time Machine 11) Peter Gabriel - I/o 10) gord downie x bob rock - lustre parfait 9) trans-Canada highwaymen - explosive hits v1 8) Jason isbell & the 400 unit - weathervanes 7) slowdive - everything is alive 6) public image limited - end of world 5) your hosts for this evening, the bony rolls - hackney diamonds 4) Noel gallagher’s high flying birds - council skies 3) teenage fanclub - nothing lasts forever 2) the hives - the death of Randy fitzsimmons 1) gaz Coombes - turn the car around
Supergaz’s 2nd prestigious “srk album of the year award”, no less. (3rd if you count road to Rouen)
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Post by jp on Dec 15, 2023 19:40:24 GMT
Could supergaz be a surprise threat to jagger and the lads here?!
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Post by jp on Dec 15, 2023 20:01:12 GMT
Top 10 EPs of 2023
1,Deary - Deary 2,Marseille - Freedom EP 3,Marseille - This Dream of Mine 4,Crushed - Extra Life 5,Aphex Twin - Blackbox Life Recorder 21f/in a room 7 f760 6,Moleskine - Comfort 7,Opus Kink - My Eyes, Brother! 8,Cowboyy - Epic the Movie 9,Hallan - The Noise of a Firing Gun 10,Angel Olsen - Forever Means
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Post by Benoît Assou-Ekotto on Dec 15, 2023 20:27:43 GMT
No Shed Seven bruv?
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Post by jp on Dec 15, 2023 22:51:17 GMT
Top 20 old albums discovered in 2023.
Kinda the opposite to mahoney on this for me as I went in hard on the old stuff this year. Could have done a top 50 but narrowed it down to 20 big hitters that I heard for the first time this year and loved...
1, Pharoah Sanders - Karma (1969) 2, The Young Disciples - Road to Freedom (1991) 3, Baby Charles - Baby Charles (2008) 4, The Blow Monkeys - She Was Only a Grocer's Daughter (1987) 5, Candi Staton - I'm Just a Prisoner (1970) 6, Nolan Porter - Nolan (1972) 7, Lord Finesse - The Awakening (1996) 8, Terry Callier - Ocassional Rain (1972) 9, Al Green - Al Green Explores Your Mind (1974) 10, Lack of Afro - Press On (2007) 11, Haircut 100 - Pelican West (1982) 12, Yussef Kamaal - Black Focus (2016) 13, Trio Valore - Return of the Iron Monkey (2008) 14, Desperate Journalist - Grow Up (2017) 15, EPMD - Business Never Personal (1992) 16, Everything but the Girl - Eden (1984) 17, Shirley Brown - Woman to Woman (1974) 18, Above the Law - Livin' Like Hustlers (1990) 19, The 3 Pieces - Vibes of Truth (1975) 20, Das EFX - Straight Up Sewaside (1993)
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Post by titchjuicy on Dec 16, 2023 15:29:09 GMT
10: Squid - O MonolithSquid continue their progression as a band. The follow up isn't as accessible as their debut, but I really like the direction they've taken things. It's a rewarding LP that feels like a complete piece rather than just a collection of tunes. Uncommon time signatures, kinda dense, nods to krautrock.. I'm completely down with the way the band are heading & excited to hear whatever comes next. 09: Famous Mammals - Instant Pop Expressionism Now!Brilliant discovery that I think I stumbled across on RateYourMusic. Californian band Famous Mammals do the kinda post-punk that sounds like its come out of Britain in the late 70s, think The Fall or Wire. But also when Parquet Courts were a lot more ramshackle and garage sounding. I also like the weird experimental noisy tunes that help give the record variety. 18 songs but it's all kinda snappy & moves on from one idea to the next quickly whilst containing some real bangers. The Lo-fi production really suits the bands style too. Love this record. 08: The Rolling Stones - Hackney DiamondsWho'd have fucking thought it? Certainly not me. I was of the opinion (like almost everybody else) that nobody wants or needs a new Stones record in 2023. Anything I'd heard post Some Girls ranged from forgettable to useless. Then Hackney Diamonds comes along. 80% of the record sounding like they could be singles. The frickin' KEEF song hitting me with a real sense of melancholy, the bluesy numbers giving variety to the record then the crazy shit like Lady Gaga turning up. They had no right to make an album this good, and they fucking did it. It has led me down a rabbit hole of the Stones & I've learnt to appreciate some of the later career records. God bless them, if this is goodbye then what a send off (pretty sure we're getting a follow up next year though). It's just a fucking joy to hear the Stones doing their thing in 2023. I could have never have predicted this & I am PROUD & HONOURED to have contributed to the Rolling Stones inevitable Soapbox Album of the Year #1 spot. You deserve it lads. 07: Bill Orcutt - Jump on ItOne man and his acoustic (& some heavy breathing in the quiet spots). It's extremely technical in terms of playing, yet sounds so effortless & melodic. Glad I got to see Bill perform this year, watching his unique technique really helped appreciate what he does even moreso. Found myself gravitating to music that I can just relax & allow it to paint pictures in my mind a lot more recently & Bill's music is just so evocative. 06: Tee Vee Repairmann - What's on TV Insanely addictive garage-punk from Sydney, Australia. Hooks to die for, fast & furious & all over in 24 minutes. Pure Joy. Hope they come to the UK someday. This music is just a pure adrenaline sugar rush. Can't really say much more other than if you can't enjoy this then you're DEAD to me. 05: Sparklehorse - Bird Machine When it was announced I was curious, but had little hope that this would actually be any good. I was expecting some unfinished tunes, mostly acoustic & in my mind it was going to be quite downbeat & sombre sounding. That couldn't be further from the truth, this thing is bursting with energy & LIFE, Linkous lives.. at least whilst you listen to these recordings. Respect to those that helped finish off these songs, tastefully & faithfully done. Bird Machine can sit comfortably next to anything in the Sparklehorse discography. What an unexpected joy, a beautiful belated goodbye from Mark Linkous. 04: ANOHNI and the Johnsons - My Back Was a Bridge for You to Cross This is the one record that has been universally praised by the critics this year that I feel is fully deserving of the accolade. ANOHNI's never sounded more soulful, not only vocally, but the arrangements of these songs despite veering into art-rock & chamber pop just feel pure soul to me. I even get some Stanley road vibes from it in places. Beautiful record which I thought was pretty damn good upon release but has just sounded better and better throughout the year. It's a classic that can sit comfortably next to I Am a Bird Now & without a doubt one of the best releases of 2023. .......................................... Top 3 time. These were the only 3 ever in the running for the #1 spot, TBH on any given day I could have gone with any of these, really depends what mood I'm in ........................................ 03: Sprain - The Lamb as Effigy This record lasts 96 minutes, containing two songs that almost hit the 25 minute mark & it feels every god damn minute of its length. Yet when I first heard this I was completely captivated. It's relentlessly uncompromising, challenging & is all the better for being so. The first time I heard this I was convinced I'd heard something special. It falls somewhere between post-punk, experimental rock & noise-rock, but there's a lot more going on, moments of drone to classical. I do love the singers voice even if it's more of a disturbed anxious whine. After discovering it I listened to it a lot over the course of a few weeks & slowly but surely I just couldn't take it any longer It's a bloody hard listen & if you're not in the right frame of mind it can easily feel like a chore. Still I was pretty pumped about this record & then the singer started making these overly dramatic cringe posts on instagram regarding each song & then he broke the band up not long after sounding like he was going to kill himself Not gonna lie, he sounds like a right bellend & it put me off listening for a good few months. So after taking an extended from the record I really wasn't sure how I'd feel about it now, let alone where it'd rank on an end of year list. Returning now I'm reminded why I loved it so much in the first place & it's revealing itself in ways I hadn't cottoned onto originally. Yeah you can find obvious influences in the likes of Swans & Sonic Youth, but the way this is packaged together (at least to me) feels completely unique. I don't think it'll ever be a record I return to on a regular basis, but one of those that in the rare occasion that I surrender myself to it I'll be reminded what a special piece of work it is. 02: Joanna Sternberg - I've Got Me Fell for this record in a big way upon first listen. Its just fantastic song-writing, very classic sounding tunes like something from the 70's but also twee in a Mouldy Peaches kinda way. The frankness & simplicity of the lyrics also reminds me in a big way of Daniel Johnston. In an era where people always aim for the abstract when it comes to lyrical content there's something just so beautiful yet bittersweet and pure about the honesty of Sternberg's words. This has become a Sunday Morning hangover kinda record for me. Adore this record, I wouldn't be surprised if this becomes the one record from 2023 that I'm still playing on a regular basis 20 years from now. 01: Erik Hall - Canto OstinatoI've dabbed into minimalism over the past couple of years. Like almost everyone I started with Steve Reich's Music for 18 Musicians which fucking floored me. Well, I've had the same kinda experience from Erik Hall's take on Canto Ostinato. Originally written to be performed by 4 piano's in the late 70's by Simeon ten Holt, here Erik Hall uses does it all by himself using multitracked grand pianos, an electric piano and an organ. It's an hour long continuous/repetitive piece that slowly evolves as the time signatures fall out of place. Must have been painstakingly hard to record this but it never feels like a multitrack piece, it just feels so alive and each time you feel like you know what's coming the time signatures move on & help float along to the next piece of the puzzle. One of the most rewarding listens I've had all year, something I just put on & completely get hypnotised by & the hour running time just zips by. Storming effort chief. The Nat Birchall record sounds right up my alley.
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Post by Simone on Dec 16, 2023 22:39:31 GMT
My top-10 records of 2023:
10. Bonnie Prince Billy - Keeping Secrets Will Destroy You 9. Noel Gallagher's High Flying Birds - Council Skies 8. Soft Power - Raw Bites 7. Anohni & the Johnsons - My Back Was a Bridge for You to Cross 6. Agitation Free - Momentum 5. The Go! Team - Get Up Sequences Part Two 4. The Rolling Stones - Hackney Diamonds 3. Julian Cope - Robin Hood 2. Paul Simon - Seven Psalms 1. Edgar Jones - Reflections of a Soul Dimension
best reissues of 2023:
5. The Teardrop Explodes - Culture Bunker 1978- 82 4. Bob Dylan - The Bootleg Series Vol. 17: Fragments 3. Les Rallizes Denudes - Città '93 2. Neil Young - Chrome Dreams 1. Primal Scream - Reverberations (Travelling In Time)
old stuff I finally acquired or discovered in 2023:
5. Ya Ho Wa 13 - Penetration, An Aquarian Symphony (1974) 4. Yoko Ono / Plastic Ono Band - Yoko Ono / Plastic Ono Band (1970) 3. Ernest Gibson - Island Records (2013) 2. Heldon - Stand By (1979) 1. Armand Schaubroeck - Ratfucker (1978)
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