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Post by thegreathehe on Feb 13, 2011 15:24:20 GMT
Music: Is There A Future?Whether sitting in a residence hall, apartment or frat house with a group of friends, we are bound to experience a score of quintessentially college conversations during the four years we spend at Emory. The conversation about the “free sharing and exchange” of music is going to be one of them, and it is a conversation I have been having a lot myself lately. Of course, for every discussion on this topic, there is always the “End of the world guy” who refuses to hear the other point of view. This individual emphatically leaps to the conclusion that illegally downloading will lead to the end of music and is immoral. Stealing is illegal and should never happen; this is simply an informal discourse on the future of music, not a justification of stealing. The first question we must ask is, who does stealing music hurt? The record companies are hurt the most from illegally downloading music. Musicians, the source of all music, make most of their money from touring, not from record sales. This is because the sales revenue they earn is shared with record companies and producers. It’s clear to almost everyone that allowing people to download music for free reduces the incentive of the record companies to create music and sign new artists. If the music industry continues to go down this path, it is theoretically conceivable that record companies, and producers, will become unprofitable and could potentially go out of business. In the past the mass distributing music was expensive. The creation, recording and distribution of music were too burdensome for individual artists. As a result, production companies were formed to facilitate this exchange of money and music between artists and listeners. Record companies held an important position essentially acting as market makers or middlemen between the musicians and the listeners. These record companies reaped large profits from the exchange. To baby boomers the death of record companies would have meant the end of music. It can be argued that ultimately the record industry could be seen as a relic similar to the obsolescence of medieval scribes who tirelessly copied books by hand for high prices. Today, however, our economy is undergoing a fundamental shift. The Internet has effectively removed the friction of everyday business. Many people who once played an essential role in the exchange of goods are now no longer necessary. It’s been years since I bought a movie ticket from a person; I buy mine online or through an automatic kiosk. The leviathan that is technological change has inevitably swallowed the recording industry among others. The once-important role that the record industry played in the distribution of music will no longer be necessary. The Internet has already begun to act as the new medium for the exchange of music. The end of the music industry as we know it does not equate to the end of music. In the future we could possibly see the music industry as a scaled-down version of what we have today. Perhaps rating agencies will emerge to rate the thousands of independent artists who post music online which in turn will make browsing these artists easier for the consumers. We could also possibly see many small independent producers working for hundreds of artists for small fees, or even the musician himself editing and fine-tuning his or her own music with new software that makes editing music easier than ever. If music does not become completely free the reduction in over-head will make it extraordinarily less expensive. The Internet will act as an inexpensive medium for exchange. Ultimately this shift will be good for the economy in the long run. The human capital that was used to facilitate the exchange of music will shift to other areas of the economy. Imagine if all those intelligent, creative and business-minded people who will work in this industry became engineers or entrepreneurs instead. Shifting these people from market makers to another field could ultimately create more value for society. The point is that there is a distinction between the recording industry and music. In the end, the artists and the consumers will become the major winners in the evolution of the modern music industry. Musician’s creativity will not be hindered by this change but will actually be enhanced. Musicians will be able to create and share any type of music they chose unhindered by producers. Listeners’ lives will be enriched by greater access to music. There will be an explosion of music creativity. Everyone from office to construction workers will be able to carry on their careers while at the same time creating and distributing music to thousands. So the next time you come across “the end of the world guy,” you can tell him that music is here to stay. Rather than destroying music, the Internet will breed a new era of creativity. As Homer said, “music invigorates the spirit, strengthens the wavering man and incites him to great and worthy deeds.” are greedy internet downloaders destroying the music industry ?
i say yes
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Post by thegreathehe on Feb 13, 2011 15:26:30 GMT
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Post by babu on Feb 13, 2011 17:55:03 GMT
who even downloads anything these days? it's all about streaming from now on
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Post by dude on Feb 13, 2011 18:30:28 GMT
if you pay for a download you are a schmuck if you pay for streaming you are a bigger schmuck.
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Post by babu on Feb 13, 2011 22:01:39 GMT
tbh i don't really see any point in owning a silly physical disc and u gotta support the artists in some way, at least some artists
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Post by stewrty on Feb 13, 2011 22:16:26 GMT
I should really pay for music that I like, once you've downloaded it for free you're not going to go and buy it though are ye?
I couldn't give a toss about paying for music that I don't like.
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Post by babu on Feb 13, 2011 22:20:04 GMT
editafa
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Post by stewrty on Feb 13, 2011 22:22:11 GMT
edit
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Post by eddiemurphy on Feb 14, 2011 10:42:02 GMT
all that payback for the days when they used to overcharge. ;D remember paying £15.99 for morning glory. greatest hits of the police was also £15.99. and that was back in the mid 90's.
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Post by monkeytennis on Feb 14, 2011 10:47:25 GMT
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Post by Deleted on Feb 14, 2011 10:48:41 GMT
Yes and no.
It's unlikely I'll ever buy a CD again, vinyls are the past and the future. All artists should re-release older/rarer 12" records on vinyl for their own good tbh.
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Post by barny on Feb 14, 2011 14:26:38 GMT
I still buy music and for me it's pretty sad seeing the album as we know it languish until its death...
..but all my fingers can type is "Scarlett > life" or "Scarlett > music" and things like that
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Post by rkrkrk on Feb 14, 2011 16:10:08 GMT
lol at streaming music
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Post by dude on Feb 14, 2011 16:43:44 GMT
exactly. babu always hops on the latest craze later to slag it off he is a fucking chameleon.
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Post by babu on Feb 14, 2011 18:38:06 GMT
i don't know anyone apart from dj-ing mates who buys music anymore. records or mp3s. i know many and many who subscribe to spotify
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Post by babu on Feb 14, 2011 18:39:04 GMT
rolli will you be using the apples streaming service?
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Post by dude on Feb 14, 2011 18:49:28 GMT
nope. the only stuff i stream is my music to my iphone with the audiogalaxy iphone app.
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Post by chuzeville on Feb 14, 2011 18:54:25 GMT
if you pay for a download you are a schmuck if you pay for streaming you are a bigger schmuck. How is that?
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Post by Deleted on Feb 14, 2011 19:06:26 GMT
As it stands most mp3 albums are pretty much the same price as they are online. I just don't see the point in paying for an mp3 when you could have a CD. At least you won't lose the CD when your computer dies & if you ever get bored with it at least you have the option of selling it on. Not that I've any interest in paying for any music. I'd be into vinyl but it's just far too expensive. Some new records are 20 quid plus. fuck that.
As for streaming services, they probably are the future for record companies & I could see it becoming the norm that most people have a subscription to listen to music. For me there is no point as as it stands I have easy access to anything I want. I can see in the next 10 years that changing & the internet being regulated to the point that you can't safely steal music from the net but we'll see. As for supporting artists, any acts that make albums that I think are really good I'll go see when they tour so they can have their money that way. I don't feel guilty. As things stand people going to see popular music (at least in the UK) is at a real high so acts are making their money & I'm not just talking about the Brixton Academy size bands. Even shit bands in shit venues seem to have crowds these days. The net has made it possible for bands to not need MTV & top 40 sales to get noticed & be able to tour. A few words said on a few blogs can spread to the point that a band can tour & have people come see them & buy a few T-shirts.
One thing I've always found quite amusing about people who buy music with the 'I SUPPORT THE ARTIST' mentality fail to mention the majority of the records they've bought second hand so the artist has received the exact same amount they would of got from me stealing it from megaturtle.
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Post by jp on Feb 14, 2011 19:14:33 GMT
One thing I've always found quite amusing about people who buy music with the 'I SUPPORT THE ARTIST' mentality fail to mention the majority of the records they've bought second hand so the artist has received the exact same amount they would of got from me stealing it from megaturtle. i feel this is a dig at me here bruv. thing is yeah i do still buy a lot of music and buy a lot of it second hand but my reason behind doing so isnt to support the artist, i do this like you by going to gigs and getting the odd tshirt and stuff. the reason why i still buy cds and vinyl is because i still love having a physical collection of music and think i always will. nothing wrong at all with downloading and i listen to tons of music that way that i never would have heard otherwise but i still love the feeling of getting my hands on a cd of a band i love. having said all that though i do find myself getting more and more of a cheapskate when it comes to buying music. dont think ive paid over a fiver for an album in years. i really only add to my cd collection with things i consider bargains nowadays.
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